Lyrics Are Important (Part Two)

by Chris McGinty
As Miguel goes on with his article he starts to pull from such great sources as late 80’s hair bands and modern pop to show that, “How can lyrics be important when the words that go into songs are all dumb?”

There are a few issues with this. The first is that Miguel listens to almost no music that has good lyrics, and therefore has a skewed view as to how well lyrics contribute to an overall song when well written.

Let’s first deal with what the voice is when used in music. It is simply another instrument. If all instruments were equal then folks would love Tejano and Industrial Dance as much as they liked Pop and Rock. The accordion and the piano would be equally moving, and that electronic bullshit would be as authentic as an electric guitar. Miguel acknowledges that there is a psychological need to hear a human voice in pop music, and that lyrical words are imperative to convey meaning because notes and melody without language is too abstract. What Miguel doesn’t acknowledge is that the human voice is a unique instrument, and at times it is the only instrument that will fill the spot properly.

Let us also consider the instruments that are used most frequently in music. They tend to be instruments that are more versatile. The human voice is very versatile, and especially because of its ability to use language while singing. If vocals were entirely limited to the syllables Do Re Mi Fa So La and Ti, then I bet it wouldn’t be used quite as much. But the fact is that if I wanted to sing this entire article to you I could.

This is where lyrics come along. It gives the singer a focal point for the melody. As the Miguels of the world would have it, that would be all that was necessary is just some words. And what does it matter what those words say, because lyrics aren’t important. But lyrics at their core are poems. And poetry is not really considered to be good unless it conveys a mood or concept, usually at a tightly metered pace with inflections on certain syllables, and often times rhyme to finish off the different lines of verse. If critics would be so quick to dismiss poetry as poorly written then there is only so much you can get away with in song lyrics, right? But song lyrics can be forgiving because as Miguel pointed out, if Sebastian Bach can make you believe that what he’s saying is important, then it comes across as important.

It seems to me that Miguel’s criticism of the songs only proves why it is that crafting good lyrics is important, because people see through the bad ones eventually. I remember Miguel being turned off to the song “You” by Candlebox, because he used the words “I would die for you.” This is one phrase in the overall scheme of the song’s lyrics, and it was too glaringly cliché to a guy who claims not to care about lyrics. And this points to why it is that every song can’t just use the same lyrics as just about every other song, but sing it differently. People would just eventually lose interest. One line and Miguel was happy to dismiss the song altogether.

Miguel and I read something once, either written by Aimee Mann or said by her in an interview, in which she discussed over used clichés such as: I would die for you, rolling the dice, the ace of spades, queen of hearts, crying in the rain, and she said that if one more person prays for rain that she was going to scream. This was a heavy influence to me to try to avoid overused phrases, choosing instead to pay tribute in less obvious ways.

Frank Black discussed the importance of using your voice in unique ways while singing, and how the use of lyrics can help you attain a unique performance. And this calls to mind for me a book I partially read that suggested that your name could be used in the same way that your Chinese and Zodiac astrological signs can be used to predict your personality. I don’t lend much credibility to these studies, but what the book claimed is that certain sounds, and certain combinations of sounds in the spoken language, register in the brain in different ways creating a situation in which the phrasing of a sentence might be as important to your attraction to what it says as the shape of someone’s face and distance between their eyes might be to your attraction to that person. If there is any credibility to this then not only are lyrics important, but they may be a make or break point.

In Part Three I will deal with a couple of examples that Miguel uses And in Part Four and Part Five, I’ll give you a very rare look into the process by which I write poetry, which then hangs out in notebooks or word processor files as potential lyrics depending on the quality of the piece and how well it fits a musical selection that needs lyrics, or how well it suggests a mood that I might try to touch upon instrumentally.

I say this is rare because I’m one of these irritating artists that Miguel mentions in his piece: “Some artists get real coy about the ‘meaning’ of their lyrics. When asked, ‘What’s it mean,’ they give cop out answers like, ‘I don’t want to ruin it for anybody. So I choose to let the listener decide for themselves what it means.’

That’s me. I like a little mystery in what I’m saying. The last thing I need is a cipher that will tell everybody what I’m talking about or who I’m talking about. Sometimes these things are clear enough, but other times they just don’t need to be.

But before I go this time, I’d like to deal with one last thing Miguel said: “‘Smells Like Teen Spirit’ was part of a trend in which the title is never actually mentioned in the song itself. I hesitate to say that it started the trend because I don’t really know.”

Well Miguel, I’m willing to bet that the trend started with those instrumentals you miss so much. The strange thing is that never once does someone say “Ride of the Valkyries” in Wagner’s hit song. But like “Smells Like Teen Spirit” it gives you a nice little hint as to what the song is supposed to be about. More on that in Part Three.

4 thoughts on “Lyrics Are Important (Part Two)

  1. Yeah, I don't believe too much in astrology either. Take for instance Leos. Astrology says that Leos are generous, warmhearted, faithful and loving. Now I know from first-hand expericence that's a complete load of CRAP! But then again, some things it says are completely true, like the descriptions of Leos' being pompous, patronizing, Bossy, interfering, dogmatic and intolerant are absolutely, positively true!

    Anyway, the part where you say you like a little mystery in what you say is an understatement. Well, I take that back. "Mysetry" is not the right word. Maybe deceptive would be better? I don't know, what would you call it when someone tells you one thing and then turns around a yr. later and yells at you, no RAGES at you because you did the one thing they told you was ok a yr. ago? I don't know. I would either call them deceptive or crazy. Maybe you can borrow some of that Wellbutrin or Zoloft from your freind Miguel?

  2. Miguel, you of all people should know why all of Chris' ex's end up hating him. YOu've known the guy for 20 freakin' years man!
    Just in case Chris is some kind of camelion and acts one way with you and Nathan and another way with the women in his life. I'll try to give you the Cliff Notes v.1. Ok, at leaast with me, Chris presented himself as a TOTALLY different person than what he really is. No really, if you had been around with me and Chris the way he was with me when I met him in 2008, you would have thought I was talking about a completely different person altogether. When I met him I was not looking for a relationship nor did I want one. He manipulated me into a relationship, then when he knows he's got me good and hooked on him, he starts changing. Like a snake shedding its skin. Except unstead of like a snake where you have shiny new colourful skin, you have a completely different creature. More of like a worm to a butterfly would be a better analogy. But butterflys are beautiful. Chris was like Dr. Jekyll, Mr. Hyde. And he lied about many things, especially who he really is. I told him at the beginning that I was not into relationships right now, I can't stand lying either by omission or comission and I'm not into drama. What part of any of that did Chris NOT understand? Seems pretty simple to me. Also Chris became very controlling of my life as well. I'm not going to go into all of it. In a nut-shell. He presents himself as being the type of person he thinks women want, doing and saying all the right things, then when he's got his hooks into you, he lets his real personality out. I guess he hates himself and his life so much that he must try to destroy all the happy people. He wants to make them miserable like he is. That's the only reason why I think he did what he did. He's sick in the head and needs friggn' help. I hope he gets it one day…YOu know Miguel, not all of Chris' ex's can be wrong. I don't know the others but there's a pattern here…

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